You sit in the darkened auditorium
listening to the speaker, trying to separate the wisdom from the words.
"Ah, good point. Oh, nice insight. Hear the fine summation, what a
lovely ending." And then the speaker says, "Furthermore . .
." and goes off at such a gallop that you know the end is
nowhere near. Later, another point, another insight-weaker this time for
having been stated before, but still credible; another fine summary,
another lovely ending. You prepare your palms for homage. And the speaker
says, "Furthermore . . ."
One of the hardest chores of public
speakers (and persons on heroic journeys) is to know when we're done. The
heroic seeker hears a call to a new vocation and sets off to school. But
we must be leery when the seeker comes almost to the conclusion of that
journey only to hear another call, in another field, requiring another
major, and starts the search all over again;
without ending; never graduating. Or, there is the task force that seeks a
solution to the group's problems. It makes public its findings and submits
its recommendations. But we must ask if it finds too much pleasure in the
process, and none in the resolution, when it "discovers" another
problem it must solve, makes itself into a standing body, and goes on and
on and on and on.
So what is the poor hero to do in the
middle of the journey? Is it time to quit? In this series of sermons
exploring the mythological hero's journey as a model for our own lives,
we've discovered that the journey is often begun in fear and unknowing.
We've learned that there is help and to refuse it is not noble, but
foolish. We've found that a goal is something to work toward, but with
flexibility. Having been reluctant to go, we went anyway; it would be
embarrassing after all that overcoming of fear to quit too soon.
Finding good help, we took it up; it would be impolite to turn it
away now that we are about to reap the rewards. And, having set our goals,
can we really say that our transformation can supercede them, change them?
Excuse me, but did anyone bring a mirror? Am I transformed yet? Am
I done?
When I reached my sixteenth birthday,
my parents gave me a card showing a wide-eyed and obviously newly
pubescent girl. She was
assailed by her mother on one side and her father on the other.
The mother was saying, "Stick a fork in her, paw, and see if
she's done." My parents thought this was hilarious and lost no
opportunity to repeat it to everyone who came to celebrate with me. I
thought it was demonically stupid, but, then, I felt that way about most
things my parents did at that age. Yet, today, I can remember no other
birthday card I have ever received. This message has become a mantra. "Stick a fork in me and see if I'm done yet." Would
that it were that easy.
Well, how hard could it be? Most of us
who find ourselves on a hero's journey had some sense going into it what
we were about, didn't we? The
degree earned, the new job sought, the marriage ceremony performed, the
goal set out in advance-aren't completion of these indications of a
journey's end? Don't we get to name in advance the conclusion of the
journey? Maybe yes; maybe no. We really don't know until we are there.
The goals we set at the beginning of
our journey are often our wishes, our dreams, our desires.
They are not yet tempered by the insights of struggle and trial.
They are often confused by the need to choose between equally
tempting paths. Our goals
are, like our prayers, often answered differently from what we intended,
but answered nevertheless. When Jack set off to climb the beanstalk, for
instance, he did not know how high, how far away its top was. He had no
goal except curiosity: to get away, to search, to seek. He could have
returned after half the distance and boasted, "I have climbed farther
than anyone in the village and I have seen a view of the world none of you
have seen." But, was he
done yet?
In the midst of our adventures, it is
often hard to know if we have achieved our goals or, more confusing, if
they were pertinent to begin with. The
next logical test, it seems to me, is to ask the question, "Have I
learned anything?" Lessons learned are often the subjects of myths
and other heroic tales. Beauty learns from her experience with the Beast
that love is separate from appearances, and marriage (the symbol of
wholeness) is her reward. But in the tale of Blue beard, which begins with
marriage, the young wife learns the hard lesson of curiosity (here,
another version of seeking) when she opens the closet door to find the
bodies of her husband's previous wives. Her journey is just begun. She
must yet find courage; she must yet seek help; she must yet grow out of naïveté
and into maturity before she is granted release from her fears and her
trials. Lessons can be
confusing signs. If they are not the ones you sought, you might not
recognize them. If they are not the ones you want, you may be tempted to
refuse them and keep going on and on and on.
Perhaps there is a clue in the fear
with which we began. What if I realize one day that I am no longer afraid?
Oh, blessed gift, to be released from fear. Is this not the end?
In the story of Hansel and Gretel, the hero is described in two
parts. Hansel is the optimistic side of the heroic archetype.
It is he who encourages the fearful Gretel, tells her that all will
be well. Gretel, who represents the dark side of the hero, is dependent
upon his courage. But when
the witch locks Hansel in a cage to fatten him, Gretel learns self-
sufficiency. In the end, she discovers in herself a hidden bravery. When
she pushes the witch into the oven, the journey is over and they live as
one with the riches they find in the witch's cottage. With no fear between
them, they are able to find their way home.
In the Irish myth retold by Joseph
Campbell, the Prince of the Lonesome Island rises from the spinning couch
on the seventh day of his sojourn and decides to go home. We aren't told
how he knows that the journey is over. He eats, drinks, provisions himself
for the return and stops to write a thank you note. He is a hero utterly
without fear. This tale, says Campbell, "signifies that the hero is a
superior person," born to symbolic royalty, recognized as an
incarnate god. "Where the usual hero would face a test," wrote
Campbell, "the elect encounters no delays, makes no mistakes."
But what of the rest of us?
What of the hero who, as I suggested before, has conquered his fear
of public speaking to such a degree that he does not know when to go home?
Is his success so delicious that he cannot bring himself to rise from the
spinning couch—which symbolizes the ongoingness of life and the dizzying
hubris of the ego—but decides the journey is about going round and
round, on and on and on? What of the hero who is a seeker of love, fearful
that she will never find it, who after kissing dozens of frogs, at last
discovers her prince charming? "Fear is no more; success is
mine," she says. What an extraordinarily powerful feeling? "I
wonder if I could do it again." Does she, or he, keep on the journey
of conquest out of habit and addiction; or do such ordinary heroes realize
that once their initial fear is gone, they will be obligated to face new
challenges, new fears? Lack of fear doesn't seem to offer the guidelines
we had hoped.
I find clues for myself buried within
my own stories. When I embarked on the call to professional ministry, for
instance, I was sore afraid. There were the mundane ego fears: "What
if I couldn't pass the tests-the literal tests of scholarly ability? What
if I didn't have the right stuff? What if I passed all the tests and no
one wanted me?" But stronger than these was the fear that perhaps I
had misunderstood the call. I gathered my helpers—my good friends—and
asked them to verify my choice. They were willing to do that.
Still, what if they were wrong? I appealed to magic, and said I
would not go—could not go—unless I sold my house. Within three weeks I
had a buyer with cash. Still, what if that were merely a coincidence? With
no where to go I moved in with a friend and promptly got a case of
shingles—a biological outburst of my stress, of my disbelief. Now here
was a hero's test I could sink my teeth into, one in which I could prove
my mettle. I drove across
country, with leg aflame and throbbing, never complaining (oh, maybe just
a little; but who was there to hear it?), never doubting I would arrive at
my physical destination. But I wasn't done yet. I wasn't even close.
Looking back, I know now, that particular journey did not end until the
day I said to myself, "Would I have believed anyone if they had said,
'You shouldn't go'?" It didn't end until I was able to admit that if
I hadn't sold the house I would have rented it and gone anyway. It didn't
end until I was able to acknowledge my own intuitive wisdom for the call.
That was the journey. Seminary was only the location, not the destination.
My intuition had been calling out for years and I had refused to heed it.
I had refused great adventures, marvelous journeys, for lack of trust in
myself. This inner journey toward self had been necessary before any
others could be taken up.
There are always outward
signs—pointing arrows, neon welcomes, thunderous applause—that signify
our journey is over. But I wouldn't count on them. They are sometimes
fickle. They are often misguiding. They are enticements to our going on
too long. We must learn to accept subtler suggestions. I would suggest a
feeling of Integrity; that feeling that says, there can be no other way.
"I must rise from this place, prepare myself, and give thanks."
I would suggest Congruity; that feeling that welcomes us to whole selves,
inside and outside one, Hansel and Gretel melded. "I am afraid but I
have every right to be afraid for there is much to harm me, so I will
proceed with caution and courage." I would suggest Harmony; that
feeling of oneness with the whole of creation; the inner ear that hears
the music of the firmament and chooses something like a star to be guided
by. "Say something to us we can learn by heart and when alone repeat.
And it says, “I burn." In self-awareness and belief in our own
powers, we need not ask for Fahrenheit or Centigrade. We choose, we hear,
we know. Awareness feels like being awake for the very first time, as
Sleeping Beauty wakened to find herself having died to the world and been
reborn in a new one.
Carol Pearson, with lyricism and
economy, describes the hero's journey thus: "We begin to yearn for
something beyond ourselves and become Seekers, searching for that
ineffable something that will satisfy. Answering the call and embarking on
the journey, we find that soon we are experiencing privation and
suffering, as the Destroyer takes away much that had seemed essential to
our lives. Initiation through suffering, however, is complemented by an
initiation into Love, as we find ourselves in love with people, causes,
places, work. This love is so strong it requires commitment-and we are no
longer free. The treasure that emerges out of this encounter with death
and love is the birth of the true self: We become the Creator of our own
life. These four abilities-to
strive, to let go, to love and to create-teach us the basic process of
dying to the old self and giving birth to the new."
To become the Creator of our own life
would be to have knowledge of beginnings and endings. It would be to have
the vision of clarity that helps us to see through journeys whose
beginnings and endings overlap. It would be the strength to know endings;
the courage to stop fighting; the acceptance of rewards deserved.
Am I done yet?
Why is it even important to know?
Because the next step on the journey—called The Return—is so
very important. We wouldn't
want to miss it by being enmeshed in going on and on and on.
Look to the stars for inspiration; but know that their song will be
sung in your own heart.
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